Travels with Dick and Karen
Paris
Part 8:
Inside
Musée des Arts Décoratifs |
|
This museum is located in 5 floors of the far northwest corner of the Richelieu wing of the Louvre, but is separate and has its own street entrance. We went primarily for this exhibit which presented (mostly French) glass from the 17th and 18th centuries to the present.
That said, we can recommend its permanent exhibit too (presented further down the page). |
 |
|
 |
The techniques could be "simple"...
|
... or embellished to an extreme
|
| |
 |
| A complete miniature diorama ... all in glass. |
 |
| |
 |
| Religous themes |
 |
Clocks |
 |
| ... and a seemingly endless assortment of vessels. |
 |
(detail from above) |
 |
| |
 |
| |
 |
| Then we reach Paris between 1925 and 1937... |
 |
| ... then the 1950s and '60s... |
 |
| |
 |
| |
 |
| ..to the truly modern... |
 |
| |
 |
| A glimpse of the building's "enclosed courtyard" architecture |
 |
And now we lead into the permanent museum: the decorative arts from the medieval to the nearly present (we ran out of stamina at the end of Art Deco).
(Dick would've kept going, except the "museum of advertising" wing had been emptied for a special exhibit.) |
 |
| Themes we've met before... |
 |
... presented in interesting ways. Once again we had the feeling that the Louvre had collected the "best", or "royal quality" pieces, but that still left thousands of examples of inventive artwork. |
 |
| More intriguing examples of glass' flexibility as a medium... |
 |
| |
 |
| ... and ceramics |
 |
| ... and marquetry |
 |
| Tapestries... |
 |
... in situ Une chambre à coucher à la fin du XVe siècle
Bedroom from the end of the 15th century |
 |
| The seven steps of clearing a forest |
 |
| Hercules and the Hydra |
 |
| Tin inlay and amaranth marquetry in a commercial cabinet |
 |
| ...another piece by the same artist, Pierre Gole, circa 1655 |
 |
| A mechanical "picture", side view below. |
|
>
 |
|
Géometrié des frisages
The geometry of curves |
 |
| |
 |
| Note dragons on feet |
 |
| Glassware, gold ... and little figurines, some in custom carry-boxes |
 |
| ...continued |
 |
A feast for the eyes ...
(perhaps a little tough on the teeth) |
 |
| Whole rooms of paneling |
 |
| Time marches on... |
 |
| Chairs over the ages (the smallish green/gold one in the lower row center is a "Cabriole chair", by Louis Delanois, circa 1760 ... we knew you were curious about it) |
 |
The salon of the Hotel Serres, place Vendôme, circa 1795
|
 |
| |
 |
| Orpheus and his lyre |
 |
| |
 |
| Bedrooms of (in)famous courtesans and mistresses are lovingly preserved. |
 |
| |
 |
| Clocks, instruments and (lower right) adding machines(?) |
 |
| Decoration in all its many forms... |
 |
| |
 |
| |
 |
| |
 |
| As we said in the Louvre, Karen likes these |
 |
| |
 |
| Eugène Grasset's dining room. |
 |
The world on the turtle's back...
Le céladon mobile |
 |
| And lots of dragons |
 |
| |
 |
| Japonaise rabbit |
 |
| We have arrived at Art Deco... featuring "Spring" designed by Eugène Grasset (see prior dining room) and made by Félix Gaudin (1894) |
 |
| |
 |
| |
 |
| |
 |
| It's been a long trip through the museum when this starts looking restful... |
 |
So we broke for lunch and went to the museum's cafeteria. It was quite good.
(smoke-filled outdoor seating in the Tuileries Garden visible through window) |
 |
| Refreshed, we headed up to the toy exhibit. |
 |
And a special exhibit of clothing primarily chosen for their buttons. There were more than one airline stewardesses' outfits
(another dramatically under-lit display ... the photos are too blurry to include: bring a flashlight)
|
 |
And then to a densely-packed (with pieces) jewelry (bijoux)exhibit. We were only able to take a couple of photos before being told most emphatically that such activities were not allowed in this particular room. |
 |
| A final view down into another special exhibit (which we didn't visit). |
 |